Last year, I had a lot of fun completing the April poem-a-day challenge and posting the results here. This year, I'll be doing things a little differently.
Goal #15 on my 30 Before 30 is to submit poems to 6 different publications (one down, five to go), and since last year I've learned that many publications consider posting a draft of a poem to a blog to be "previously published" and therefore unacceptable for future publication.
So, as I write, I'll try to share each day the prompt or theme I had in mind (either the theme I started with, or the theme I ended with, since they're often different).
Day One: On the way to work
Here's wishing you a happy April!
Monday, April 1, 2013
Monday, April 30, 2012
National Poetry Month 30 Poems in 30 Days Challenge, Poem #30
We Play the Desert Island Game on the Way Home from Her Mother's House, Christmas 2008
1. The Album
London Calling or Sgt. Pepper?
with sanity's fine threads drawn tight
beneath her answer.
2. The Game
Legend of Zelda, the first one
looped by world shuffling rabbit holes
fall in and forget
the heat.
She contributes nothing, deferential.
3. The Book
Moby Dick? Really?
Condom jokes. What better way
to fight the loneliness of this interminable stretch
the asphalt sea, rising in gray-white waves
beneath the yellow sear of the high beams.
Before unassailable Proust, glibly dancing
before intricate, weighted Joyce
before Hemingway's sparse daring?
Little things we learn.
4. The Friend
And whose hand will hold yours
in salt stained sunsets
cradle you fallen from palm trees in search of coconuts
crouch together over ragged whifts of fire
wake you as the storm blows in
with rough persistent liquid pressure against your sun cracked spine?
1. The Album
London Calling or Sgt. Pepper?
with sanity's fine threads drawn tight
beneath her answer.
2. The Game
Legend of Zelda, the first one
looped by world shuffling rabbit holes
fall in and forget
the heat.
She contributes nothing, deferential.
3. The Book
Moby Dick? Really?
Condom jokes. What better way
to fight the loneliness of this interminable stretch
the asphalt sea, rising in gray-white waves
beneath the yellow sear of the high beams.
Before unassailable Proust, glibly dancing
before intricate, weighted Joyce
before Hemingway's sparse daring?
Little things we learn.
4. The Friend
And whose hand will hold yours
in salt stained sunsets
cradle you fallen from palm trees in search of coconuts
crouch together over ragged whifts of fire
wake you as the storm blows in
with rough persistent liquid pressure against your sun cracked spine?
National Poetry Month 30 Poems in 30 Days Challenge, Poem #29
Perfect Day, Part 2
for my wife on a lazy Sunday in the backyard
A sunsoaked day
with a thousand sturdy limbs of words and
your deep, peaceful laughter
stretching like spokes,
A scent of skin over grass
rolled against ourselves
shoulders shining joyfully pink,
And you, the axis around which I resolve
the sunstung expanse of my afternoon.
National Poetry Month 30 Poems in 30 Days Challenge, Poem #28
I live amid a confluence of right angles-
the monitor rises from my desk
and I hold rigid in this hardbacked chair,
sheer as first love.
I flatten my palms against the counter top
barely aware of elbows, knuckles or wrists
for all the use I have for them,
all the limbs I do not wrap around
run trembling over no curves
softly study no stretch of self that bends when pressed against.
I stand my ground,
square over my shoes with laces tied impeccably together,
and I stare down the hands of the clock
as they measure quarter hours,
the firm limits of my life.
Sunday, April 29, 2012
National Poetry Month 30 Poems in 30 Days Challenge, Poem #27
Abnominal
The poem must use only words that contain letters found in the name of the dedicatee.
The poem should be 20 lines long.
It should be arranged in two-line stanzas, although other arrangements are permissible.
Each stanza — or every two lines, if another arrangement is used — should contain each individual letter of the dedicatee’s name at least once.
The opening and closing line should address or refer to the dedicatee in some form, with a strong preference for not using the name.
However, the address in line 20 must not be a simple repetition of that in line 1; there must be some difference/transformation.
There are no stipulations for line length or other metrical constraints.
The title must be an anagaram of the dedicatee’s name.
Home Starts a Lion's Set
You did dare, wrestling with the big guns and the fog
willfully obstinate obtuse, I shall not demonstrate you find it yourself, you said.
We scoured the sour text, drove nails through its palms,
bled it for your bias and hate and genius.
Most of all for brilliance, honed ourselves on it,
come and go come and go, talking of you.
Blighted knight, arrange your merits.
Are they a consolation for your cigarette shortened dotage?
Because I do not understand, how such gifts and expansive scope infirm the glory of an hour,
because I find your air fetid, because I find myself whirling against the Word,
I strain to hear your mermaids singing lullabies,
drown myself, breathe in green sea and foam, exhale modernity.
Did you know the hates we'd glean pressed inside the ink
Did you believe you marred the verse?
Or did you know, taunt us dare us to find lies embedded within lines,
cast your long striding shadow across lands rimmed by disorder?
I've seen you running, long lengths of ankle joined to tibia and femur,
trailing streams of smoke and dissonance, grinding meaning to sparkling dust.
Now never grow old, minor prophet with your hair parted behind
little stuffed man of death's dream kingdom.
The poem must use only words that contain letters found in the name of the dedicatee.
The poem should be 20 lines long.
It should be arranged in two-line stanzas, although other arrangements are permissible.
Each stanza — or every two lines, if another arrangement is used — should contain each individual letter of the dedicatee’s name at least once.
The opening and closing line should address or refer to the dedicatee in some form, with a strong preference for not using the name.
However, the address in line 20 must not be a simple repetition of that in line 1; there must be some difference/transformation.
There are no stipulations for line length or other metrical constraints.
The title must be an anagaram of the dedicatee’s name.
Home Starts a Lion's Set
You did dare, wrestling with the big guns and the fog
willfully obstinate obtuse, I shall not demonstrate you find it yourself, you said.
We scoured the sour text, drove nails through its palms,
bled it for your bias and hate and genius.
Most of all for brilliance, honed ourselves on it,
come and go come and go, talking of you.
Blighted knight, arrange your merits.
Are they a consolation for your cigarette shortened dotage?
Because I do not understand, how such gifts and expansive scope infirm the glory of an hour,
because I find your air fetid, because I find myself whirling against the Word,
I strain to hear your mermaids singing lullabies,
drown myself, breathe in green sea and foam, exhale modernity.
Did you know the hates we'd glean pressed inside the ink
Did you believe you marred the verse?
Or did you know, taunt us dare us to find lies embedded within lines,
cast your long striding shadow across lands rimmed by disorder?
I've seen you running, long lengths of ankle joined to tibia and femur,
trailing streams of smoke and dissonance, grinding meaning to sparkling dust.
Now never grow old, minor prophet with your hair parted behind
little stuffed man of death's dream kingdom.
National Poetry Month 30 Poems in 30 Days Challenge, Poem #26
Cento of James Joyce
Monsieur de la Palisse, Stephen sneered, was alive fifteen minutes before his death
pious because no man would look twice.
Laughter leaped from his throat dragging after it a rattling chain of phlegm,
bearing a bowl of lather on which a mirror and a razor lay.
It wounded him to think that he would never be but a shy guest at the feast-
Melancholy, the dominant note of his temperament
tempered by recurrences of faith and resignation,
as mistakes are the portals of discovery.
Whatever else is unsure in this stinking dunghill of a world a mother's love is not.
His heart was going like mad,
that queer thing genius is the standard of all experience:
a nightmare from which I am trying to awake.
Monsieur de la Palisse, Stephen sneered, was alive fifteen minutes before his death
pious because no man would look twice.
Laughter leaped from his throat dragging after it a rattling chain of phlegm,
bearing a bowl of lather on which a mirror and a razor lay.
It wounded him to think that he would never be but a shy guest at the feast-
Melancholy, the dominant note of his temperament
tempered by recurrences of faith and resignation,
as mistakes are the portals of discovery.
Whatever else is unsure in this stinking dunghill of a world a mother's love is not.
His heart was going like mad,
that queer thing genius is the standard of all experience:
a nightmare from which I am trying to awake.
Saturday, April 28, 2012
National Poetry Month 30 Poems in 30 Days Challenge, Poem #25
Nocturne for My Pillow
When I fall, at last
drained of all my hopes for the day,
I drop my heart like ink
into a wicker basket beside the bed,
splattering oxygenated blood in long streaks.
When I crawl home, at last
stinking of half finished hopes
clinging to my hair like smoke,
I find my callouses cut by the whittling work,
dreams corked and stored,
the never finished always waiting
promise of tomorrow.
When I fall, at last
drained of all my hopes for the day,
I drop my heart like ink
into a wicker basket beside the bed,
splattering oxygenated blood in long streaks.
When I crawl home, at last
stinking of half finished hopes
clinging to my hair like smoke,
I find my callouses cut by the whittling work,
dreams corked and stored,
the never finished always waiting
promise of tomorrow.
Friday, April 27, 2012
National Poetry Month 30 Poems in 30 Days Challenge, Poem #24
| from here |
Dissect the moment of breaking
weigh its parts like organs
the tumbling lungs pushed against contrite kidneys
your anger engorged with blood like a liver.
Run the marathon of the moment
until you feel them churning inside you.
Count the beats of blood in your temple
debate the location of the soul, of holy vows
wrap my faults in gauze despite the mess
aim your fingers anywhere but my taken rib
then scrub until your cuticles crack.
Hold the scalpel against the last five years,
then decide.
National Poetry Month 30 Poems in 30 Days Challenge, Poem #23
| from here |
We stuck eight candles in a cake, we three
carried melting wax and wick burning down.
And we split our faces smiling, singing
to avoid seeing how our shadows danced.
We carried candles in cake burning down,
eyes on each other, staring too long
to avoid seeing how our shadows danced
for us: cast thin limbed and flint skinned, fading.
Eyes bent on each other we staggered down
grasped hands out for the others, measuring
our thin limbs for weakness, checking flint faces
to make our celebrating seem earnest.
We measured our reach in slices, in candles
we three stuck, my saccharine friends
celebrating being seen, burning earnest.
We split our faces smiling, shouting.
National Poetry Month 30 Poems in 30 Days Challenge, Poem #22
For Gracie, long since crossed the blue-white horizon
There was a view of Toledo
which hung over your bed when we,
on the first night- once we burrowed
into that sweet lazy content,
white cloud drift only allowed on
nights of first kisses, legs tangled
beneath blankets like gunpowder,
arms curled soft at the tender crux
of a neck, each settled like stones-
on the first night we lay and looked
finding the angles of Toledo
as new as us, its horizon
as limitless, as beckoning.
There was a view of Toledo
which hung over your bed when we,
on the first night- once we burrowed
into that sweet lazy content,
white cloud drift only allowed on
nights of first kisses, legs tangled
beneath blankets like gunpowder,
arms curled soft at the tender crux
of a neck, each settled like stones-
on the first night we lay and looked
finding the angles of Toledo
as new as us, its horizon
as limitless, as beckoning.
Thursday, April 26, 2012
National Poetry Month 30 Poems in 30 Days Challenge, Poem #21
for Jane
1.
We've heard so many of your stories, Scheherazade
-sliced thin from your tongue to mine
sweet rich, eye-collapsingly bitter, tangy spiced-
so many tales I remember as music
-the late night music of folding chairs,
played to an intent table filled with faces in your ally paneled room-
so many songs weaving one into the other
-orchestral jazz, building motifs out of stray chords
stretching chords like sinew, testing the limits of strength-
stories more tightly woven than tapestry.
2.
I've spent so many night running my hands over your stories
grabbing you characters by the shoulders
shake them
beg them to leave me to silence
Still they sing-
filament eyed boys and the bird muses warbling
the clove-breathed photo negatives kissing the housewives of the revolution
the giddy soft and the defiant broken hearted writing home late at night, drunk
all in a windows-down muppet-dancing singalong
the same soulful symphony.
3.
This is just to say
let's peel our plum bruised skin back together
examine the bones and ligaments.
Let me crack open my knuckle for you, look.
Now a femur, see there?
In the marrow, see your face?
Not an image, not a Madonna formed on a window
made of grease and Windex and slanted light.
See your face there, breathing?
See your stories, buried in my bones?
I know I'm not the only one.
1.
We've heard so many of your stories, Scheherazade
-sliced thin from your tongue to mine
sweet rich, eye-collapsingly bitter, tangy spiced-
so many tales I remember as music
-the late night music of folding chairs,
played to an intent table filled with faces in your ally paneled room-
so many songs weaving one into the other
-orchestral jazz, building motifs out of stray chords
stretching chords like sinew, testing the limits of strength-
stories more tightly woven than tapestry.
2.
I've spent so many night running my hands over your stories
grabbing you characters by the shoulders
shake them
beg them to leave me to silence
Still they sing-
filament eyed boys and the bird muses warbling
the clove-breathed photo negatives kissing the housewives of the revolution
the giddy soft and the defiant broken hearted writing home late at night, drunk
all in a windows-down muppet-dancing singalong
the same soulful symphony.
3.
This is just to say
let's peel our plum bruised skin back together
examine the bones and ligaments.
Let me crack open my knuckle for you, look.
Now a femur, see there?
In the marrow, see your face?
Not an image, not a Madonna formed on a window
made of grease and Windex and slanted light.
See your face there, breathing?
See your stories, buried in my bones?
I know I'm not the only one.
National Poetry Month 30 Poems in 30 Days Challenge, Poem #20
| from here |
Let's meet before sunset, when wind and night bite and streak orange. We'll watch fireflies flash over the sluggish length of the river, dying soundlessly in the swooping mouths of bats, and we'll both smell the coolness of water, notice how the half light hides our graying aging, remember other mouths at other rivers. We must not speak of this.
You may choose to lean against my shivering shoulder, inviting me to press my nose or my lips into your hard parted hair. I might toy absentmindedly with your braid, drawn too tight down the back of your neck and lying atop the bony ridge of vertebrae between your shoulder blades. I might count your bones through the cotton of your shirt, through your pale goose-pimpled skin, as I run one restless knuckle down and up your spine. I might lose count, because counting has never interested me at all.
Wednesday, April 25, 2012
National Poetry Month 30 Poems in 30 Days Challenge, Poem #19
Timing
There was a girl named Marianne,
built like a coffee cup
stained by too many fill-ups and chipped like a heart
and we slumped together on swiveling bar stools
atop plastic cushions that gave no comfort
bolted to the floor by the weight of our soles.
We would laugh, until I left her,
those high long trills meant to push at the night
at the neon lights and the small city noise
and we washed the fear back down our throats
with flavorless meals fried and black burnt coffee
salted waiting with wishes and swallowed.
There was a girl named Marianne,
built like a coffee cup
stained by too many fill-ups and chipped like a heart
and we slumped together on swiveling bar stools
atop plastic cushions that gave no comfort
bolted to the floor by the weight of our soles.
We would laugh, until I left her,
those high long trills meant to push at the night
at the neon lights and the small city noise
and we washed the fear back down our throats
with flavorless meals fried and black burnt coffee
salted waiting with wishes and swallowed.
National Poetry Month 30 Poems in 30 Days Challenge, Poem #18
Work has swallowed me
writhing whole. Deep ached, tired I
weigh my unbowed strength.
writhing whole. Deep ached, tired I
weigh my unbowed strength.
Sunday, April 22, 2012
National Poetry Month 30 Poems in 30 Days Challenge, Poem #17
| from here |
snug against your stride and folded
into a half forgotten weight-
ready to face the expansive days no longer limitless.
I empty myself
allow myself to spill across
counter tops and coffee tables, counted
hoping never to be found empty
rendered useless after the wear.
I've begun to tear
a light thing, where my edges meet
as friction and falling sands
press me pale.
Still I pour myself against the warmest parts of you
to hold heat and hope,
the place you fold scraps you must not forget,
but will not remember now.
5 Poetry Writing Prompts That Have Helped Me Get Through the National Poetry Month Challenge
"Make the reader believe one impossible thing" produced this poem.
These pictures as prompts led to this.
This poem came from the suggestion:
"A poem about the weather" turned into this.
Hope these help spark a few ideas for you, too.
These pictures as prompts led to this.
This poem came from the suggestion:
when I’m on the prowl for inspiration, I visit the Missed Connections section on Craigslist. Posts usually range from idiotic to desperate to hopelessly treacle, but every once in a while, there’s a gem to be found: a sweet, self-effacing recounting of a single moment, a simple memory of days long past, or a single sentence loaded with mystery and intrigue."Write a poem with an invented biography for yourself" gave me this.
"A poem about the weather" turned into this.
Hope these help spark a few ideas for you, too.
Labels:
National Poetry Month,
poem a day,
poetry,
writing,
writing prompts
Friday, April 20, 2012
National Poetry Month 30 Poems in 30 Days Challenge, Poem #16
The moon is twice itself tonight
its hanging craggy face
potmarked with the insistence of everyday
stormed by age with nothing to stir the dust.
Also it's glint reflection
wavering in water, younger
stirred by our toes and the soft breathed breeze
born in the lack of space between
your face, my fingertips.
Two moons, too, my sagging face
furrowed and lined and deep bagged under my eyes
where the chill run rough through my legs from the cool deep lake
and reflected in your
tender pupilled ponds
I see me as always then
thinner, firmer, strong.
NB: Thanks to Hazel and Wren for running a blog with writing prompts to help me on the tough days.
its hanging craggy face
potmarked with the insistence of everyday
stormed by age with nothing to stir the dust.
Also it's glint reflection
wavering in water, younger
stirred by our toes and the soft breathed breeze
born in the lack of space between
your face, my fingertips.
Two moons, too, my sagging face
furrowed and lined and deep bagged under my eyes
where the chill run rough through my legs from the cool deep lake
and reflected in your
tender pupilled ponds
I see me as always then
thinner, firmer, strong.
NB: Thanks to Hazel and Wren for running a blog with writing prompts to help me on the tough days.
Thursday, April 19, 2012
National Poetry Month 30 Poems in 30 Days Challenge, Poem #15
On the day I came home the sky split
It was not a Jesus on the cross split
no glory strew thunderheads peeled back to
reveal a blood red sun hung in the sky
like the bloodshot eye of God.
For me, the sky quietly pulled away from itself
the way the once wet pages of a book curl
apart as they dry. The split seam rippled
rainbowed absence overhead, breathed the quick
deep breath of a toddler asleep.
I was too fragile to bear the horizon
refracted, folded back against itself
the cardinal limits of my life multiplied.
It was not a Jesus on the cross split
no glory strew thunderheads peeled back to
reveal a blood red sun hung in the sky
like the bloodshot eye of God.
For me, the sky quietly pulled away from itself
the way the once wet pages of a book curl
apart as they dry. The split seam rippled
rainbowed absence overhead, breathed the quick
deep breath of a toddler asleep.
I was too fragile to bear the horizon
refracted, folded back against itself
the cardinal limits of my life multiplied.
Wednesday, April 18, 2012
National Poetry Month 30 Poems in 30 Days Challenge, Poem #14
Riverside Park, You Were Babysitting
The city receded at last
its electric hum, that city
of a thousand cliches and
the million empty faced power
walkers, vibrating with missed, wanting
connections, city charged even
as a backdrop- where I claimed
a park bench for my paperback
for my sweet, quick cooling coffee
a place to steal stray rays of sunshine
in April while trees sprout a summer
of syrup, cloying white-blue buds
when she crashed into me, a blur
of pink and tricycle pedals
I scooched and she squealed the joyful
little girl giggle of the world
spontaneous surprising new
and you appeared sundressed and sandled
your face close and bright-flushed red-gold
like sunrise against skyscapers
tomorrow endlessly reflected,
smiled your sincerely happy tired
youth at me that city morning
when all my words bubbled and caught,
you turned away before I could say
I'd like to learn to trail goodness,
teach me how legs chase joy across
electrified sidewalks and these
narrow stripes of spring growing green.
The city receded at last
its electric hum, that city
of a thousand cliches and
the million empty faced power
walkers, vibrating with missed, wanting
connections, city charged even
as a backdrop- where I claimed
a park bench for my paperback
for my sweet, quick cooling coffee
a place to steal stray rays of sunshine
in April while trees sprout a summer
of syrup, cloying white-blue buds
when she crashed into me, a blur
of pink and tricycle pedals
I scooched and she squealed the joyful
little girl giggle of the world
spontaneous surprising new
and you appeared sundressed and sandled
your face close and bright-flushed red-gold
like sunrise against skyscapers
tomorrow endlessly reflected,
smiled your sincerely happy tired
youth at me that city morning
when all my words bubbled and caught,
you turned away before I could say
I'd like to learn to trail goodness,
teach me how legs chase joy across
electrified sidewalks and these
narrow stripes of spring growing green.
National Poetry Month 30 Poems in 30 Days Challenge, Poem #13
Praying for Rain
Beaded heat layered against her upper lip
blanketed late afternoon sun
the clouds cry the long low rumble of rain not falling
and the river echoes back in thirsty barely lapping waves
the miserable gods of June.
She has a spot beneath the shady arm of the church
a wide brimmed hat and an iced drink exhaling hope
she folds damp hands across the exhausted length of her stomach
interlocks her fingers, grimacing unhappy clammy
The steeple watches the clouds advance
a broad chested phalanx of thunderheads
the street dust dances, she rises supplicant
as she mops her forehead, then tugs her sweat-damp dress
from her waist, one shoulder and then the other.
Beaded heat layered against her upper lip
blanketed late afternoon sun
the clouds cry the long low rumble of rain not falling
and the river echoes back in thirsty barely lapping waves
the miserable gods of June.
She has a spot beneath the shady arm of the church
a wide brimmed hat and an iced drink exhaling hope
she folds damp hands across the exhausted length of her stomach
interlocks her fingers, grimacing unhappy clammy
The steeple watches the clouds advance
a broad chested phalanx of thunderheads
the street dust dances, she rises supplicant
as she mops her forehead, then tugs her sweat-damp dress
from her waist, one shoulder and then the other.
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